Sounds Authentic: Black Music, Ethnicity, and the Challenge of a "Changing" Same

Begun in 1980, Black Music Research Journal is published in the spring and fall of each year and includes articles about the philosophy, aesthetics, history, and criticism of black music

Paul Gilroy

2006

Scholarcy highlights

  • Begun in 1980, Black Music Research Journal is published in the spring and fall of each year and includes articles about the philosophy, aesthetics, history, and criticism of black music
  • The programs of the Center for Black Music Research include research, education and conferences, performance, and the publication of a scholarly journal and two biennial newsletters. These diverse services and resources impact a wide range of audiences and constituencies, including academic researchers; musicians, composers, arrangers, and choir directors; high school and grade school teachers and students; journalists and music writers; and filmmakers and television producers
  • The CBMR Library and Archives, the conferences, and CBMR performance programs are open to the public
  • The Center for Black Music Research Library and Archives, the conferences, and CBMR performance programs are open to the public

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